Caribbean Bibliography

Caribbean: Crossroads of the World


Bibliography

BOOKS AND EXHIBITION CATALOGS:

12 Salones Regionales. Catálogo de exhibición. Barranquilla: Museo de Arte Moderno de Barranquilla, Torreblanca Agencia Gráfica, 2009.

13 Salón Regional de Artistas de Colombia – Zona Caribe. Catálogo de exhibición. Barranquilla: Museo de Arte Moderno de Barranquilla, Torreblanca Agencia Gráfica, 2009.

1973-2003 inaugural national exhibition / [organized by the National Art Gallery of The Bahamas ; curated by Erica M. James]. Nassau, Bahamas : National Art Gallery of The Bahamas, 2003.

1492/1992 : un nouveau regard sur les caraïbes/ Pierre E. Bocquet [et al.] Based on an Exhibition held at Espace Carpeaux, Courbevoie, France, 15 January to 31 March 1992. Paris : Creolarts Diffusion, 1992.

2 AICA Southern Caribbean: Migration and Diaspora in Caribbean Art: symposium proceedings, August 2001, University of Central Florida. Florida: AICA, 2003.

5. Salón de Arte Joven. Catálogo de exhibición. Bogotá: Club el Nogal, 2009.

Abello Vives, Alberto. El Caribe en la Nación Colombiana. Bogotá: Museo Nacional de Colombia. Observatorio del Caribe Colombiano, 2006.

Abello Vives, Alberto. Un Caribe sin Plantación: Memorias de la Cátedra del Caribe Colombiano. San Andrés: Universidad Nacional de Colombia. Observatorio del Caribe Colombiano, 2006.

Abiri, Elisabeth and Häkan Thörn, eds. Horizons: Perspectives on a Global Africa. Lund, Sweden: The Authors and Studentlitteratur, 2005.

Abolition de l'esclavage: mythes et réalités créoles. Paris: Centre Culturel du Panthéon, 1998.

Acquisitions 2001-2006: [annual May exhibition, Queen’s Park Gallery, Bagnall’s Point Gallery and Zemicon Gallery in Bridgetown, Barbados /curator, Therese Hadchity. Bridgetown, Barbados: National Art Gallery Committee: National Cultural Foundation, Barbados, 2006.

Agenciamiento Creativo. Laboratorio de investigación La Guajira. 2009.

Al Aire Libre. Catálogo de exhibición itinerante en el Museo Nacional de Colombia, Museo de Arte Moderno de Bucaramanga, Museo de Arte Moderno La Tertulia, Museo de Antioquía, Museo de Arte Moderno de Barranquilla, Museo de Arte de Caldas, Museo de Arte de Pereira y Museo Bolivariano de Arte Contemporáneo. Bogotá: Museo Nacional de Colombia, 2004.

Almanaque Usungulé 2010. Catálogo y almanaque. Laboratorios Maldeojo, Ministerio de Cultura de Colombia. Bogotá: Laboratorios Maldeojo, 2009.

Angulo Iñiquez, Diego. El gótico y el renacimiento en las Antillas; arquitectura, escultura, pintura, azulejos, orfebrería. Sevilla, 1947.

Aristizábal Giraldo S.J., Tulio. Los Jesuitas en Cartagena de Indias. Cartagena, Colombia: Espitia Impresores, 2009.

Armando Reverón. Written by John Elderfield, Luis Perez-Oramas and Glenn Lowry. New York: Museum of Modern Art, 2007. Published in conjunction with the exhibition “Armando Reveron” at the Museum of Modern Art, New York.

Arquitectura neocolonial: América Latina, Caribe, Estados Unidos. Coord. Aracy Amaral. São Paulo, Brasil: Memorial, FCE, 1994.

Arte y Naturaleza en la Colonia. Museo de Arte Colonial, Ministerio de Cultura, Universidad Nacional de Colombia, Instituto Distrital de Cultura y Turismo, Jardin Botanico Jose Celestino Mutis, Asociacion de Amigos del Arte Colonial, Museo Nacional de Colombia. Bogotá: Unibiblos, 2002.

Art et critique: dialogue avec la Caraïbe/[des travaux du C.E.R.E.A.P. (Centres d’Etudes et de Recherches en Esthétique et Arts Plastique)]; sous la direction de Dominique Berthet. Paris, France : Harmattan, 1999.

Arts in the U.S. Virgin Islands: A Supplement to the Virgin Islands Council on the Arts Study Report/ prepared by Ruth S. Moore, David M. Hough. St. Thomas: Published for the Virgin Islands Council on the Arts by the Caribbean Research Institute of the College of the Virgin Islands, 1967.

Arte visual: Aruba. Oranjestaad, Aruba: Instituto di Cultura, Aruba, 1988-1997.

Aruba: Frans Lacié, Gresia de Lange, Giolina Molina, Alida Martínez. Ludwig de l’Isle : 2da Bienal de Pintura del Caribe y Centroamérica: Museo de Arte Moderno, Santo Domingo, Rep. Dominicana. Oranjestad, Aruba : Instituto di Cultura Aruba, 1994.

Bahamian Visions: photographs 1870-1930. exh. cat. Essay by Krista Thompson. Nassau, Bahamas: National Art Gallery of the Bahamas, 2003.

Balutansky, Kathleen, M. and Marie-Agnes Souieau. Caribbean Creolization: Reflections on the

Cultural Dnamics of Language, Literature, and Identity. Miami: University Press of Florida, 1998.

Barringer, Tim, Gillian Forrester, and Barbaro Martinez- Ruiz, eds. Art and Emancipation in Jamaica: Isaac Mendes Belisario and His Worlds. New Haven: Yale Center for British Art in association with Yale University Press, 2007.
Barrow, Christine, ed. Caribbean Portraits: Essays on Gender Ideologies and Identities. Kingston, Jamaica: Ian Randle Publishers, 1998.

Bartra, Eli, ed. Crafting Gender: Women and Folk Art in Latin America and the Caribbean. Durham, N.C.: Duke University Press, 2003.
Baxter, Ivy. The Arts of an Island: The Development of the Culture and of the Folk and Creative Arts in Jamaica 1494-1962 (Independence). New Jersey: Scarecrow, 1970.

Beckles, Hilary and Verence Shepherd, eds. Caribbean Freedom: Society and the Economy from Emancipation to the Present.

Kingston, Jamaica: I. Randle Publishers, 1996. Bernal, María Clara. Más allá de lo real maravilloso: el surrealismo y el Caribe. Bogotá: Universidad de los Andes, Facultad de Artes y Humanidades, Departamento de Arte: Ediciones Uniandes, 2006.

Benítez- Rojo, Antonio. The Repeating Island: The Caribbean and Postmodern Perspective. Translated by James Maraniss. Durham, North Carolina: Duke University Press, 1992.

Best, Curwen. Roots to Popular Culture: Barbadian Aesthetics: Kamau Brathwaite to Hardcore Styles. London: Macmillan, 2001.

Bida i koló: beeldende kunst uit de Nederlandse Antillen en Aruba : 11 December 1988-22 January 1989 / [redactie catalogus, Marijke Nagtegaal-Reedijk]. Schiedam : Stedelijk Museum Schiedam, 1989.

Bienal de Pintura del Caribe y Centroamérica/Biennale de peinture des Caraibes et d’Amérique Centrale/Caribbean and Central American Biennial of Painting. exh. cat. Santo Domingo, República Dominicana: Galería de Arte Moderno, 1992.

Borges, Jacobo. El Bosque II y Lo Que Crece. Catálogo de exhibición en el MAMBO, Museo de Arte Moderno de Bogotá. Bogotá: Museo de Arte Moderno de Bogotá, 2010.

Boxer, David, and Veerle Poupeye. Modern Jamaican Art. Kingston, Jamaica: Ian Randle Publishers, 1998.

Boxer, David. Edna Manley: Sculptor. Kingston, Jamaica: National Gallery of Jamaica and Edna Manley Foundation, 1990.

Botero, Fernando. Donación 2004. Catálogo de exhibición itinerante en el Museo Nacional de Colombia, Museo de Arte Moderno de Bucaramanga, Museo de Arte Moderno La Tertulia, Museo de Antioquía, Museo de Arte Moderno de Barranquilla, Museo de Arte de Caldas, Museo de Arte de Pereira y Museo Bolivariano de Arte Contemporáneo. Bogotá: Museo Nacional de Colombia, 2004.

Brathwaite, Edward Kamu. Contradictory Omens: Cultural Diversity and Integration in the Caribbean. Mona, Kingston, Jamaica: Savacou Publications, 1974.

Braziel, Jana Evans. Artists, performers, and black masculinity in the Haitian diaspora. Bloomington, Indiana: Indiana University Press, 2008.

Bremer, Thomas and Ulrich Fleischmann, eds. Alternative Cultures in the Caribbean. Germany: Vervuert Verlag, 1993.

Brock, Colin, ed. The Caribbean in Europe. London: Frank Cass, 1986.

Browdy de Hernandez, Jennifer, ed. Women writing Resistance: Essays on Latin America and the Caribbean. Cambridge, Massachusetts: South End Press, 2003.

Brown, Stewart, ed. The Art of Kamau Brathwaite. Bridgend, Mid Glamorgan, Wales: Seren, 1995.

Brown, Karen McCarthy. Tracing the Spirit: Ethnographic Essays on Haitian Art. exh. cat. Davenport Iowa: Davenport Museum of Art and Seattle and University of Washington Press, 1995.

Burton, Richard D.E. Afro-Creole: Power, Opposition, and Play in the Caribbean. Ithaca: Cornell University Press, 1997.

Camille Pissarro in the Caribbean, 1850-1855: Drawings from the Collection at Olana. Catalog by Richard R. Brettell and Karen Zukowski; introduction by Joachim Pissarro. St. Thomas, USVI: Hebrew Congregation of St. Thomas; New York: New York State Office of Parks, Recreation and Historic Preservation, 1996.

Camnitzer, Luis. New Art of Cuba. Austin: University of Texas Press, 1994.

Carib Art: Contemporary Art of the Caribbean. UNESCO: Curaçao, 1993[?].

Caribbean art, African currents: twenty first annual art show at the Goddard-Riverside Community Center/ curator and author Susana Torruella Leval. New York: The Center, [n.d.].

Caribbean art criticism: fashioning a language, forming a dialogue : a 3-day symposium presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, Barbados. Bridgetown, Barbados] : AICA, 2000.

The Caribbean Connection. exh. Cat. London: Islington Arts Factory, 1995.

Caribbean Culture: A Celebration of West Indian Art in New York at Castillo, March 7, 1992 thru March 31, 1992. New York, NY: Castillo Cultural Center, 1992.

Caribbean Art Today: An International Exhibition of Contemporary Art 28.8.-21.9.1994, Documenta-Halle, Kassel. Exhibition organized by Projektgruppe Stoffwechsel; catalogue, editor, Projektgruppe Stoffwechsel. Göttingen Germany: Afrikanisch Asiatische Studentenförderung, 1994.

The Caribbean in the age of modernity: an exhibition of photo-based works by Caribbean artists and photographers: exhibition organized for the 31st annual conference of the Caribbean Studies Association, Trinidad and Tobago / curators, Rex Dixon and Patricia Mohammed. Trinidad: Patricia Mohammed and Rex Dixon, 2006

Carifesta / 81: Barbados, Cuba. Havana: Instituto Cubano de Amistad con los Pueblos, 1981.

Carlos Marichal: Poeta de la Línea. Museo de Historia, Antropología, y Arte Universidad de Puerto Rico, Río Piedras, P.R., 2004.

Carlos Rojas: Una Visita a Sus Mundos. Catálogo de exhibición en el Museo Nacional de Colombia. Bogotá: Panamericana Formas e Impresos, 2008.

Carr, Raymond. Puerto Rico: A Colonial Experiment. New York, Random House, 1984.

.co Una Versión Personal. Catálogo de la exposición Cart[ajena]. Cartagena, Colombia: Editora Ojo de Pez, (s.f.).

Casteel, Sarah Phillips. Second Arrivals: Landscape and Belonging in Contemporary Writing of the Americas. Charlottesville: University of Virginia Press, 2007.

Catálogo de Cine Colombiano 2005 – 2009: Cortometrajes. Ministerio de Cultura, Proimágenes en Movimiento, Fondo Para el Desarrollo Cinematográfico. Bogotá: Industrias Gráficas Darbel, 2009.

Catálogo de Cine Colombiano 2005 – 2009: Documentales. Ministerio de Cultura, Proimágenes en Movimiento, Fondo Para el Desarrollo Cinematográfico. Bogotá: Industrias Gráficas Darbel, 2009.

Catálogo de Cine Colombiano 2010: Largometrajes. Ministerio de Cultura, Proimágenes en Movimiento, Fondo Para el Desarrollo Cinematográfico. Bogotá: Industrias Gráficas Darbel, 2009.

Center for Inter-American Relations Art Gallery. Art of Haiti and Jamaica. New York, 1968.

Cerón, Jaime. Alberto Baraya: Enfoques, Serie 2006. UBS AG Oficina de Representación. Bogotá: Panamericana Formas e Impresos, 2006.

Cerón, Jaime. Manual de Producción y Montaje Para las Artes Visuales 2009-2010. Bogotá: La Silueta Ediciones, 2009.

Colección Nuevas Donaciones Siglo XXI. Museo de Arte Moderno de Cartagena, Ministerio de Cultura. Cartagena: Museo de Arte Moderno, 2001.

Chambers, Eddie. Curator’s eye II: identity & history : personal and social narratives in art in Jamaica : December 11th, 2005 - March 18th, 2006. Jamaica : National Gallery of Jamaica, 2005.

Chamberlain, Mary. “Gender and Memory: Oral History and Women’s History,” In Engendering History: Caribbean Women in Historical Perspective. New York: St. Martin’s Press, 1995.

Caribbean Migration: Globalized Identities. London: Routledge, 1998.

Charwei Tsai. Catálogo de exhibición. Bogotá: Galería Casas Riegner, 2009.

Cheesman, Clive, ed. The Armorial of Haiti: Symbols of Nobility in the Reign of Henry Christophe. London: College of Arms, 2007.

Chenet, Burton, Un monde a partager. Commissariat, Gérald Alexis; Coordination, Michéle Alfred; Photos, Marc Steed. Port-au-Prince, Haiti: Burton Chenet, 2000.

Christensen, Eleanor Ingalls. The Art of Haiti. Philadelphia: Art Alliance Press, 1975.

Conde Calderón, Jorge. Buscando la Nación: Ciudadanía, Clase y Tensión Racial en el Caribe Colombiano, 1821-1855. Medellín: La Carreta Editores, 2009.
Colección Banco de la República. Catalogo de colección, Biblioteca Luis Arango, Casa de Exposiciones, Banco de la República. Bogotá: Banco de la República, 1997.

Colección de Pintura: Museo Nacional de Colombia. Bogotá: Museo Nacional de Colombia. Editorial Planeta Colombiana, S.A, 2004.

Collection d'art negre: valuable and important Afro-American paintings, sculpture, drawings and prints, with African sculpture from Nigeria and Ancient Egypt: property of several New York private collections and various other owners. New York, NY: Delegation for Afro-American and Caribbean Cultural Affairs, 1980.

Contemporary African-Caribbean, Asian & African art in Britain: Individual Artists: A bibliography of material held in the Library, Chelsea College of Art & Design (The London Institute), Manresa Road, London. London: The Library, 1991.

Contemporary Caribbean artists, African expressions: Bronx Museum of the Arts, September 7, 1979 through October 14, 1979. Bronx, N.Y.: The Museum, 1979.

Contemporánea II. Catálogo de exhibición. Barranquilla: Museo de Arte Moderno de Barranquilla, 1999.

Cosentino, Donald J., ed. Sacred Arts of Haitian Vodou. Los Angeles, California: UCLA Fowler Museum of Cultural History, 1995.

Coulson, Amanda, et. al. Funky Nassau: Recovering an Identity. Weisbaden, Germany: Nassauischer Kunstverin Wiesbaden; Nassau, Bahamas: National Gallery of the Bahamas, 2006.

Coussin, Joseph. Paysages de la Guadeloupe; Basse-Terre [Guadeloupe] : Société d’histoire de la Guadeloupe, 1986.

Cowie, Lancelot and Bruni, Nina, eds. Voces y letras del Caribe. Mérida, Venezuela: El Otro, El Mismo; St. Augustine, Trinidad & Tobago: CENLAC, 2005.

Crahan, Margaret E. and Franklin W. Knight, eds. Africa and the Caribbean: The Legacies of Link. Baltimore: John Hopkins University Press, 1979.

Crain, Edward E. Historic architecture in the Caribbean Islands. Gainesville : University Press of Florida, 1994.

Créolité and Creolization: Documenta 11Platform3. Edited by Okwui Enwezor, ... [et al.] Documenta (11th: 2002: Saint Lucia). Ostfildern-Ruit: Hatje Cantz, 2003.

Cuban Artists’ Books and Prints: 1985-2008. Curated and edited by Linda S. Howe. Winston-Salem, N.C.: Wake Forest University, 2009.

Cummins, Alissandra, Allison Thompson and Nick Whittle. Art in Barbados. What Kind of Mirror Image? Kingston, Ian Randall, 1999.

The Danish West Indies in old pictures. Dansk Vestindien i gamle billeder. København F, Foreningen Dansk Vestindien, Eksp.: Einar Kirk, 1967. Published in connection with the exhibition of the same name on the occasion of the American-Danish Friendship Festival on the U.S. Virgin Islands in Spring 1967.

Dash, Michael J. The Other America: Caribbean Literature in a New World Context. Charlottesville and London: University Press of Virginia, 1989.

Davila, Arlene. Sponsored Identities (Philadelphia: Temple University Press), 1997, 69.

Delgado Mercado, Osiris. Cuatro Siglos de Pintura Puertorriquena. Puerto Rico: Banco Santander, 1998.

Desruisseau, Rose-Marie. La rencontre des trois mondes. Port-au-Prince, Haiti: Editions Henri Deschamps, 1992.

Desmangles, Leslie. The Faces of the Gods: Vodou and Roman Catholicism in Haiti. Chapel Hill: University of North Carolina Press, 1992.

Dibujos de Johanna Calle. Catálogo de exhibición de la Galería Casas Riegner. Bogotá: D.Vinni, 2010.

Diego, Frida y Otros Revolucionarios. Bogotá: Biblioteca Nacional de Colombia, 2009.

Diène, Doudou, ed. From chains to bonds: the slave trade revisited. New York: Berghahn Books; Paris: UNESCO Pub., 2001.

Dilly, Patrice. Métamorphoses : sculptures et fers des Bòsmetal d’Haïti/Metamorphoses: sculptures and iron pieces from the Bòsmetal of Haiti. La Roque-d’Anthéron: Vents d’ailleurs, 2004.

Drot, Jean-Marie. L’incontro dei due mondi visto dai pittori di Haïti. Rome: Edizioni Carte segrete, 1992.

Duncan, Michael. The Bay Islands, or, The Gentle Art of Cutting the Painter. Coventry: Centre for Caribbean Studies, University of Warwick, 199-?.

Dunstan, Raymond David. “St. Lucian Carnival: a Caribbean art form.” PhD thesis, State University of New York at Stony Brook, 1978.

Echavarria, Juan Manuel. La Guerra Que No Hemos Visto: Un Proyecto de Memoria Historica. Bogotá: Taller Arte Dos Grafico, 2009.

Echeverri, Clemencia. Actos del Habla. Catálogo de exhibición. Bogotá: Museo de Arte, Universidad Nacional de Colombia, 2009.

Echeverri, Clemencia. Cal & Canto. Catálogo de exhibición en el Centro de Artes Biblioteca Luis Echeverría Villegas. Medellín: Universidad EAFIT, 2003.

Echeverri, Clemencia. Sin Respuesta/Clemencia Echeverri. Bogotá: Universidad Nacional de Colombia. Dirección Nacional de Divulgación Cultural, 2009.

El Libro del Artista en el Taller de Arte Dos Gráfico: 1977-2006. Bogotá: Taller de Arte Dos Gráfico, 2006.

Edmondson, Belinda, ed. Caribbean Romances: The Politics of Regional Representation. Virginia: University Press of Virginia, 1999.

Espinosa Espinosa, Aaron and Bernal Matos, Camila, eds. Respirando el Caribe, Vol. II: Memorias del II Encuentro de Investigadores Sobre el Caribe Colombiano. Observatorio del Caribe Colombiano. Bogotá: Editorial Gente Nueva Ltda, 2006.

Making Men: Gender, Literary Authority, and Women’s Writing in Caribbean Narratives. Durham: Duke University, 1999.

L’émergence d’une autre modernité /[CEREAP]; sous la direction de Dominique Berthet ; [auteurs, Dominique Berthet ... et al Paris, France : Harmattan, 2002. Texts from the sixth colloquium organized by CEREAP (Centre d’Etudes et de Recherches en Esthétique et Arts Plastiques), Guadeloupe, December 2000.

Exclusión, Fragmentación y Paraíso, Caribe Insular. exh. cat. Madrid, Spain: Museo Extremeno e Iberoamericano de Arte Contemporáneo, 1998.

Experience and Adventures of a Collector. Collection of George Encil. Paris: ACR Edition, 1989.

Faulkner, Simon and Anandi Ramamurthy, eds. Visual Culture and Decolonisation in Britain. Aldershot, England; Burlington, VT: Ashgate, 2006.

Félix, Miguel Fernandez y Baz, Sara Gabriela. Monjas Coronadas: Vida Conventual Femenina en Hispanoamérica. Instituto Nacional de Antropología e Historia / Museo Nacional del Virreinato. México D.F.: Landucci, 2003.

Feliza Burstyn, Elogio de la Chatarra. Catálogo de exhibición. Bogotá: Museo Nacional de Colombia, 2009.

Ferrer, Rafael. Deseo, An Adventure. exh. cat. Cincinnati, Ohio: The Contemporary Arts Center, 1973.

Drawing. exh. cat. New York: Nancy Hoffman Gallery, 1995.

Flores, Juan. Divided Borders: Essays on Puerto Rican Identity. Houston, Arte Público Press, 1993, 66.

Fonk, Hans. Curaçao : architectuur en stijl / [concept en fotografie] Hans Fonk; tekst, Ruud van der Neut; [redactie coördinatie] Nicole Henriquez en Anko van der Woude. Willemstad: Stichting Curaçao Style, 1999.

For You: The Daros Latinamerica Tapes and Video Installations. Exhibition catalogue. Zurich: Daros Exhibitions, 2009.

Foster, Hal. “The ‘Primitive’ Unconscious of Modern Art, or White Skin Black Masks.” In Recordings, Art, Spectacle: Cultural Politics, ed. Hal Foster. Washington: Bay Press, 1985.

Fusco, Coco. Vernacular Memories. Art in America 79 (December 1991): 99-102.

Galembo, Phyllis, Vodou. Visions and Vocies of Haiti, Berkeley: Ten Speed Press, 1998.

Gallego, Carlos Mario & Valencia Rincón, Sergio. Tola & Maruja: La Era Uribe Contada por las Dos Señoras Más Lengüilargas de Colombia. Colombia: Editora Aguilar, 2007.

Gaztambide Géigel, Antonio. “La invención del Caribe en el Siglo XX: las definiciones del Caribe como problema histórico y metodológico.” Revista Mexicana del Caribe, 1 (1996), 74-96.

Gerón, Claudio. Encyclopedia of Dominican Fine Arts 1884-1995, Santo Domingo, Ed. Corripio, 1996.

Giroud, Tina, Sequin Artists of Haiti, Port-au-Prince: Haiti Arts Inc., 1994.

Glinton, Meicholas, Patricia, Huggins, Charles and Smith, Basil. Bahamian Art, 1492-1992. Nassau, Bahamas: Finance Corporation of Bahamas Limited, 1992.

Glissant, Edouard. Caribbean Discourse: Selected Essays. J. Michael Dash, trans. Charlottesville: University Press of Virginia, 1989.

Goldman, Shifra. Dimensions of the Americas, Art and Social Change in Latin America and the United States. Chicago: University of Chicago Press, 1994.

Gonzalez Aranda, Beatriz. Acuarelas de Auguste LeMoyne: Impresiones de Colombia 1828-1839. Sin lugar: 2008.

González Aranda, Beatriz. El Arte Colombiano en el Siglo XIX: Colección Bancafé. Bogotá: Panamericana Formas e Impresos, 2004.

González Aranda, Beatriz. Auras Anónimas: Obra Experimental. Catálogo de exhibición en el Cementerio Central de Bogotá. Bogotá: Fundación Museo de Arte Moderno de Bucaramanga, 2009.

González Aranda, Beatriz. Carta Furtiva. Catálogo de exhibición en la Galería Alonso Garcés. Bogotá: Galería Alonso Garcés, 2009.

González Aranda, Beatriz. Ondas de Rancho Grande. Catálogo de exhibición. Medellín: Ediciones Taller Arte Dos Gráfico, 2008.

González Aranda, Beatriz. Obra Gráfica. Catálogo de exhibición. Rio Piedras: Universidad de Puerto Rico, 2004.

González, José Luis. Puerto Rico, The Four-Storeyed Country and Other Essays. Gerald Guinness, trans., Princeton and New York: Markus Wiener Publishing, Jan. 1980.

González, Julieta. Mateo López Parra: Deriva. Catálogo del artista para la 2da Trienial Poli/Gráfica de San Juan: América Latina y el Caribe del Instituto de Cultura Puertorriqueña. San Juan: Editorial D’Vinny, 2009.

González, María del Carmen. Latin American and Caribbean Modern and Contemporary Art: A Guide for Educators. New York: Museum of Modern Art, 2004.

González Lamela, María del Pilar, El exilio artístico español en el Caribe: Cuba, Santo Domingo y Puerto Rico 1936-1960. La Coruña,Spain, 1999.

Gonzalo Fuenmayor, Dibujos. Bogotá: Pluma Galería de Arte, 2006.

Grandjean, Michèle, et. al. Artistes haïtiens = Haitian artists/APAM ; translation, Michèle Paris, Les Cook, Nîmes: APAM, Association pour la promotion des arts du monde, 2002.

Gravette, Andrew, Architectural Heritage of the Caribbean. An A-Z of Historic Buildings, Kingston: Ian Randle, 2000.

Grau, Enrique. Dibujos en la Colección del MAMBO. Catálogo de exhibición en el MAMBO (Museo de Arte Moderno de Bogotá). Bogotá: Museo de Arte Moderno de Bogotá, 2009.

Grau, Enrique. Una Donación al MAM: 90 Obras de Enrique Grau de la Colección de Sofía Prieto Urdaneta. Catálogo de exhibición en el MAMBO (Museo de Arte Moderno de Bogotá). Bogotá: Museo de Arte Moderno de Bogotá, 1986.

Guerrero, Myrna and Danilo de los Santos. Mujer y arte dominicano hoy, exh. Edited by Leon Jimenez, Santo Domingo, 1995.

H. Garavito: Estética, Obra y Trascendencia. Exh. Cat. Guatemala: Casa MIMA, 2003.

Habitat: Centro Cultural Quinta de San Pedro Alejandrino. Bogotá: Fundación Museo Bolivariano de Arte Contemporáneo, 2006.

Hadchity, Therese. Dedicated to the island: three generations of women artists in Barbados. exh. cat. National Art Collection of Barbados, the Barbados Museum & the Barbados Gallery of Art, Zemicon Gallery, Bridgetown, Barbados. Barbados: National Art Gallery Committee, 2006.

A Haitian Celebration of Art and Culture. exh. cat. Milwaukee: Milwaukee Art Museum, 1992.

Haitian Painting: The Naïve Tradition. exh. cat. New York: MoMA and the American Federation of Arts, 1973.

Haitian Painting: The Naives and the Moderns. exh. cat. New York: City University of New York, 1987.

Hall, Stuart. “Cultural Identity and Cinematic Representation.” In Ex-lles: Essays on Caribbean Cinema. Edited by Mbye B. Cham. New Jersey: Africa World Press, 1992.

Hannaway, Patti. Winslow Homer in the Tropics. Foreword by Hereward Lester Cooke. Richmond, VA: Westover Pub. Co., 1973.

Harney, Stefano. Nationalism and Identity: Culture and the Imagination in a Caribbean Diaspora. London: Zed Books, 1996.

Hecho a Mano: El Oficio en el Arte. Catálogo de exhibición en la Galería Casas Riegner. Bogotá: Galería Casas Riegner, 2008.

Herrera Salas, Jesús María. El negro Miguel y la primera revolución Venezolana: la cultura del poder y el poder de la cultura. Caracas, Venezuela: Vadell Hermanos Editores, 2003

Higman, B.W., ed. General History of the Caribbean. London and Oxford: UNESCO, 2000.

Hill, Errol. The artist in West Indian society; a symposium. Mona, Jamaica: University of the West Indies, Dept. of Extra-Mural Studies, 1963.

Hoffman, L. G. Haitian Art: The Legend and the Legacy of the Naïve Tradition. Davenport: Davenport Art Gallery, 1985.

Huggins, Winston George. “A critical Study of Six Jamaican Artists in the Context of an Emerging Caribbean Culture in New York: An Aesthetic Inquiry.” PhD thesis, New York University, 1993.
The Hybrid State. New York: Exit Art, 1992.

Ícaro Zorbar: Estuvimos Ahí. Catálogo de exhibición. Bogotá: Galería Casas Riegner, 2009.

Imagen Regional 6. Catálogo de exhibición en la Biblioteca Luis Ángel Arango. Bogotá: Banco de la República, Biblioteca Luis Ángel Arango, 2009.

Images of Silence: Photography from Latin America and the Caribbean in the 80s.Curated by Bélgica Rodríguez. Washington, D.C.: Museum of Modern Art of Latin America, Organization of American States, 1989.

Important Cuban Artworks:Volumes Three- Seven. Exh. Cats. Coral Gables, FL: Cernuda Arte, 2004-2009.

Infinite Island: Contemporary Caribbean Art. Exhibition catalogue edited by Tumelo Mosaka; texts by Tumelo Mosaka, Annie Paul, Nicollette Ramirez. New York: Brooklyn Museum in association with Philip Wilson Publishers, 2007.

Iriarte, Patricia, ed. Respirando el Caribe, Vol. III: Memorias del III Encuentro de Investigadores Sobre el Caribe Colombiano. Bogotá: Editorial Gente Nueva Ltda, 2009.

Jaime Colson: Pinturas-Peintures-Paintings. Coral Gables, Florida: Palette Publications, 1996.

James, C.L.R. The Black Jacobins: Toussaint L’Overture and the San Domingo Revolution. London: Secker and Warburg, 2nd Rev.ed.1963 (First published 1938).

_______. The Artist in the Caribbean. Mona, Jamaica: University College of the West Indies, 196-?

Jaramillo, Carmen María y Malagón, María Margarita. Beatriz González. Bogotá: Villegas Editores, 2005.

The Jay I. Kislak Collection at the Library of Congress: A Catalogue of the Gift of the Jay I. Kislak Foundation to the Library of Congress. Washington, D.C.: Library of Congress, 2007.

Journey: emancipation of the spirit. Barbados: National Art Gallery Committee: National Cultural Foundation: Errol Barrow Centre for Creative Imagination, 2007.

Journey in the shaping: report of the First Symposium on Women in Caribbean Culture-July 24, 1981 / edited by Margaret Hope. Symposium on Women in Caribbean Culture (1st: 1981: Barbados). S.l.: Women and Development Unit, University of West Indies, 1981.

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Landings 8. Curated by Joan Duran. Belize, Central America: Five-o-one Art Projects, 2008. Catalogue of an exhibition held May 17-July 6, 2008 at the Taipei Fine Arts Museum, Taipei, Taiwan.

Landings 6 + 7. 6, Landings Collective, Galeria Latinoamericana. 7, anyelmaidein calzadilla... [et al.], Galeria Hayde Santamaría / project director and curator, Joan Duran. La Habana: Casa de las Américas : Centro de Arte Contemporáneo Wifredo Lam, 2007.

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Londoño Vélez, Santiago and Villegas, Benjamín. Colombian Art: 3,500 Years of History. Bogotá: Banco de la República, 2001.

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________. Contemporary Writing and Arts from the Francophone Caribbean. New York: Americas Society, 1999.

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Maldeojo: Salones Regionales Region Caribe 2007-2008. Catálogo. Compact disc.

Márceles Daconte, Eduardo. Los Recursos de la Imaginación: Artes Visuales del Caribe Colombiano. Barranquilla, Colombia: Artes Gráficas Industriales, 2007.

Martínez, Martin et al. Imagen Regional 5/Biblioteca Luis Ángel Arango. Bogotá: Banco de la República, Biblioteca Luis Ángel Arango, 2007.

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Martis, Adi and Jennifer Smit, Arte: Dutch Caribbean art/Beeldende kunst van de Nederlandse Antillen en Aruba. Kingston, Jamaica: Royal Tropical Institute, 2002.

Master painters of Haiti in the collection of Siri von Reis. Rochester, Michigan: Meadow Brook Art Gallery, Oakland University, 1984.

Mazzoldi, Bruno. Verme Dormido: Jobs de Benjamín, Derrida y Restrepo. Bogotá:

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Mitos y realidades del Caribe contemporáneo: catálogo de obras 2002.Textos biográficos, Paula Gómez.Concurso de Arte Eduardo León Jimenes (19th: 2002: Santiago de los Caballeros, Dominican Republic). Santiago de los Caballeros, R.D.: Grupo León Jimenes, 2002.

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Murray-Irizarry, Néstor. Rafael Rios Rey y el muralismo en Puerto Rico. Ponce, Puerto Rico: Casa Paoli, Sociedad de Amigos de Rafael Ríos Rey, 2005.

Museo Nacional de Bellas Artes – Chile. Exh. Cat. [text, Milan Ivelic]. Santiago, Chile: Ograma, 2007.

National Exhibition, 2004: the National Art Gallery of the Bahamas, Nassau, Bahamas / [essay text, Erica Moiah James. Nassau, Bahamas: National Art Gallery of the Bahamas, 2004.

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A New Era in Third World Art. Exhibit sponsored by Cross Section in conjunction with The Haitian Student Association of Brooklyn College City University of New York. Brooklyn, NY: Cross Section/Afro-American & Caribbean Fine Arts, 19--?

New Voices in Caribbean Literature. Calgary, Canada: University of Calgary Press, 2003.

Nicolas, Mireille. Jistis: murs peints d’Haïti, décembre 1990-février 1991 / Mireille Nicolas; avec une interview du président Aristide par C. Wargny. Paris: Editions Alternatives; Montreal: Editions du CIDIHCA, 1994.

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No Other Island: the Art of Haiti, Selections from the John H. and Vivian D. Hewitt, New York, February 1st to March 17th, 1995, Campbell Gallery, Sewickley Academy. Sewickley, Pennsylvania: The Gallery, 1995.

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One Man’s Vision: the D’Aguilar Collection: a National Art Gallery of the Bahamas exhibition. Curated by Petrine Archer-Straw. Nassau, the Bahamas: National Gallery of the Bahamas, 2003.

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Out of Focus Nuyoricans, Adál. Exh cat. Cambridge, MA: David Rockefeller Center for Latin American Studies at Harvard University, 2006.

Otro país: escalas Africanas/ Another country: African stops over/ Un autre pays: escales africanes. Catalog of an exhibition held at Centro Atlántico de Arte Moderno, Nov. 15, 1994-Jan. 15, 1995 and Fundación "La Caixa," Palma de Mallorca, Feb. 15-Apr. 16, 1996. Las Palmas de Gran Canaria: Tabapress, 1994.

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Past, present, and personal: the Dawn Davies Collection: a National Gallery of the Bahamas exhibition. Curated by Petrine Archre-Straw. Nassau, The Bahamas: National Art Gallery of the Bahamas, 2004.

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La Peinture haïtienne / documentation, Marie-José Nadal-Gardère ; textes, Gérald Bloncourt ; traduction, Elizabeth Bell/ Haitian Painting. Research, Marie-José Nadal-Gardère; texts, Gérald Bloncourt; translation, Elizabeth Bell. Paris: Nathan, 1986.

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Presencia africana en el arte del Caribe: exhibición de arte organizada por el Instituto de Estudios del Caribe, Facultad de Ciencias Sociales, Universidad de Puerto Rico, 6 al 30 de septiembre de 1989, Museo de Arte e Historia, San Juan de Puerto Rico. Puerto Rico: 1989.

Presencia de la Cultura Precolombina en el Arte Caribeño Contemporáneo/ edited by Mildred Canahuate. Simposio Regional Incidencias de la Cultura Precolombina en el Arte Caribeño Contemporáneo (1st: 1998: Santo Domingo, Dominican Republic). Santo Domingo: Banco Central de la República Dominicana, 1999, 2000.

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Questioning the Line: Gego in Context. Edited by Mari Carmen Ramirez with Theresa Papanikolas. Houston TX: The Museum of Fine Arts, Houston, 2003.

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Rafael Tufiño, pintor del pueblo. exh. cat. Museo de Arte de Puerto Rico & El Museo del Barrio, 2001.

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Recordings: A Select Bibliography of Contemporary African, Afro-Caribbean and Asian British Art. Written and compiled by Melanie Keen and Elizabeth Ward. London: Institute of International Visual Arts and Chelsea College of Art and Design, 1996.

Regards sur les Antilles: collection Marcel Chatillon. Bordeaux, Musée d'Aquitaine, 23 septembre 1999-16 janvier 2000. Cordination éditoriale, Josette Grandazzi, Cécile

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Reinvenciones: fotográfica domincana post dictadura; obras de la colección del Centro Cultural Eduardo León Jiménez. Exh. cat. Santiago de los Caballeros, República Dominicana: Centro León, 2005.

Religiones afroamericanas. Emilio Jorge Rodríguez, coordinador. Seminario sobre Cultura Afroamericana (1995). La Habana: Centro de Estudios del Caribe, 1996.

Restrepo, José Alejandro. Cuerpo Gramatical: Cuerpo, Arte y Violencia. Bogotá: Universidad de los Andes, Facultad de Artes y Humanidades, Departamento de Arte, Ediciones Uniandes, 2006.

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Shared visions: celebrating the 50th anniversary of the University of the West Indies. Barbados: Canoe Press, University of the West Indies, 1997.

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Territorio Plástico: Laboratorios de Investigación Creación en el Caribe Colombiano. Ministerio de Cultura, Dirección de Artes. Bogotá: Lithocopias, Ltda, 2009.

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Third National Exhibition, 2006. Catalogue essay by Krista Thompson. Nassau, The Bahamas: National Gallery of Art of the Bahamas, 2006.

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Transforming the crown: African, Asian & Caribbean artists in Britain, 1966-1996. An exhibition organized by The Franklin H. Williams Caribbean Cultural Center/African Diaspora Institute. Edited by Mora J. Beauchamp-Byrd and M. Franklin Sirmans. New York: Franklin H. Williams Caribbean Cultural Center/African Diaspora Institute, c1997

Trillos Amaya, María. Ayer y Hoy del Caribe Colombiano en sus Lenguas. Observatorio del Caribe Colombiano, Ministerio de Cultura, Universidad del Atlántico, Instituto Colombiano de Fomento Para la Educación Superior ICFES, Sistema Universitario Estatal del Caribe SUE. Bogotá: Editorial Gente Nueva Ltda, 2001.

Trinidad and Tobago at Sao Paulo Bienal XIII. Port-of-Spain: Govt. Printery, Trinidad, 1975.

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Viaje Sin Mapa: Representaciones Afro en el Arte Colombiano Contemporáneo. Catálogo de exhibición realizada en la Biblioteca Luis Ángel Arango. Biblioteca Luis Ángel Arango del Banco de la República. Bogotá: Banco de la República, Editora Géminis Ltda, 2006.

Victor Vazquez: Liquids and Signs. Exh. cat. Philidelphia, PA: Seraphin Gallery, 2004.

La Vida Urbana en la región del Caribe/Urban Life in the Caribbean Region, texts by Derek Walcott, et al. ex cat. Santo Domingo, Dominican Republic: Centro Cultural Cariforo de la República Dominicana, 2000.

Vidas Ejemplares: Colectivo Punto Org. Catálogo de exhibición. Bogotá: Ministerio de Cultura, 2007.

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_______. Derek Walcott plays, 1959-1982.

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Watkins-Owens, Irma. Blood Relations: Caribbean Immigrants and the Harlem Community, 1900-1930. Bloomington: Indiana University Press, 1996.

West kunst: Beeldende kunst uit de Nederlandse Antillen en Aruba. Rotterdam, Netherlands: World Trade Centre Art Gallery. Artists included: Annemiep Oltheten, Ciro Abath, Nelson Carrilho, Ludwig de L’Isle, Yubi Kirindongo, Roland Richardson.

What is Africa to me? African art from the collection of Kay Crawford. [ex. cat.]. Curated with essay by Erica James. Nassau: National Gallery of the Bahamas, 2006.

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MONOGRAPHS:

Medina, Álvaro. Armando Villegas Abstracto. Bogotá: Panamericana Formas e Impresos. Instituto de Investigaciones Estéticas, Universidad Nacional de Colombia, 2005.

Díaz Uribe, Alfonso. Esculturas y Proyectos 1980 – 2003. Luis Rocca, Juan Pablo Rocca Barrenchea, eds. [traductores: Sylvie Ginet, Gilles Giraud, Alfonso Díaz Uribe] Bogotá: Servigraphic Ltda, 2004.

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Ranston, Jackie. Belisario: Sketches of Character : A Historical Biography of a Jamaican Artist. Kingston, Jamaica : Mill Press, 2008.

Tres Décadas Gráficas de Myrna Báez, 1958-1988: exposición homenaje: VIII Bienal de San Juan del Grabado Latinoamericano y del Caribe: Museo de Arte de Puerto Rico, Instituto de Cultura Puertorriqueña, San Juan, Puerto Rico, 28 de septiembre de 1988 al 31 de diciembre de 1988. San Juan: Cooperativa de Seguros Múltiples de Puerto Rico, 1988.

The works of Omowale Stewart from the seventies to the present: art man rising. Janice Whittle, curator and author. Barbados : National Cultural Foundation, 2005.

Volpe, Mario A. Mario Volpe: Abstractions 1962-2002. Gstaad: Muller Marketing and Druck, 2003.

ARTICLES and PERIODICALS:

Aguaita: Revista del Observatorio del Caribe Colombiano. no. 17-18 (dic. 2007/jun. 2008) – 19-20 (dic. 2008/jun. 2009). Cartagena de Indias, Colombia: Elograf Ltda, 2007-2008.

Artes en Santo Domingo, año 1, no. 1 (oct. 2001)- año 4, no. 16 (jul./sept. 2005). Santo Domingo, República Dominicana: Umbrales del Arte, 2001- 2005.

Arts Jamaica. Kingston, Jamaica, West Indies: Arts Jamaica Ltd., 1982.

The arts journal: critical perspectives on the contemporary literature, art and culture of Guyana and the Anglophone Caribbean. Vol. 1, no. 1 (May 2004).

Bryce-Laporte, Roy Simón. “New York City and the New Caribbean Immigration: A Contextual Statement.” IMR, Vol. 13, no. 2 (Summer 1979): 214-234).

Condé, Maryse. “The Stealers of Fire: The French-Speaking Writers of the Caribbean and Their Strategies of Liberation.” Journal of Black Studies, Vol. 35, No.2 (November 2004): 154-164.

Contemporanía: el arte en el Caribe internacional/Contemporanía: art in the international Caribbean; Santo Domingo, Dominican Republic.

Dawson, Ashley. “The Short Century: Postcolonial Africa and the Politics of Representation.” Review of The Short Century: Independence and Liberation Movements in Africa, 1945-1994. Museum of Modern Art. Radical History Review Issue 87 (Fall 2003): 226-236.

El Magazín. no.62 (feb. 2010) Suplemento a la publicación Ciudad Viva. Bogotá: Secretaría de Cultura, Recreación y Deporte, 2010.

Genocchio, Benjamin. “Coloring a Tropical Paradise.” The New York Times, December 3, 2006.

_________. “Spotlight on Cuba.” Review of Cuba: Artists Experience Their Country. Hunterdon Museum of Art. The New York Times, February 10, 2008.

Gómez, Edward M. “The Vitality of Jamaica’s ‘Intuitive’ artists.” International Herald Tribune Thursday, September 2, 2004

Hall, Stuart. “Negotiating Caribbean Identities.” New Left Review no. 209 (January/February 1995): 3-14.

“Haitian Art: A Portfolio of Paintings.” Haiti: The Literature and Culture, A Special Issue, part 2. Callaloo 15, no. 3 (Summer 1992): 697-707.

Jackson, Jennifer V., and Mary E. Cothran. “Black versus Black: The Relationship among African, African American, and African Caribbean Persons.” Journal of Black Studies, Vol. 33, no. 5 (May 2003): 576-604.

Keur, Dorothy L. “Social and cultural pluralism in the Caribbean.” Annals of the New York Academy of Sciences; v.83, art.5. New York : New York Academy of Sciences, 1960

Papaï: arts plastiques, Antilles-Guyane. Martinique? : s.n.

La Impropia. no. 01. Bogotá: Valenzuela y Klenner, Arte Contemporáneo, 2003.

Laughlin, Nicholas. “Inspirational Island: Trinidad, A Supposed Cultural Backwater, is Actually Art Central.” Culture+Travel (Jan/Feb 2008): 30-32.

Levi Strauss, David. “Arnaldo Morales.” Artforum 37,5 (January 1999): 122.

Levin, Kim. “A Different Drummer.” ArtNews 70 (December 1971): 48-51.

Mefisto. no. 66 (dic. 2009). Bogotá: _____, 2009.

Mundo. no. 00 (jul. 2005). Ana Mercedes Hoyos. Bogotá: Grupo OP Gráficas, 2005.

Mundo. Bogotá: Panamericana Formas e Impresos.

Olmo, Santiago B. “The Caribbean, An Identity of Differences.” Art Nexus 31 (Februrary 1999): 68-73.

Periódico Arteria. Año 5, no. 22 (ene./mar. 2010).Bogotá: Colombian Art Crafts Ltda, 2010.

Portes, Alejandro and Ramón Grosfoguel. “Caribbean Diasporas: Migration and Ethnic Communities.” Annals of the American Academy of Political and Social Science,Vol. 533 (May 1994): 48-69.

http://www.el-status.com/

http://www.rotundaworld.com/

Panorama. no.35 (feb. 2010) Revista Oficial del Aero República. Panamá: Editora del Caribe, 2010.

¿Qué Pasa? no. 2, ed. 1 (dic. 2009). Medellín: Centro de Desarrollo Cultural de Moravia, 2009.

Sourieau, Marie-Agnés. “Suzanne Césaire et Tropiques: de la poésie cannible à une poétique créole.” The French Review, Vol. 68, no. 1 (October 1994): 69-78.

Trouillot, Michel-Rolph. “The Caribbean Region: An Open Frontier in Anthropological Theory.” Annual Review of Anthropology, 21 (1992).

MISCELLANEOUS

Augusto, Camilo. Portafolio 2009-2010. Compact disc.

An Interview with Rex Nettleford.VHS, 62 min. interviewed by James Briggs Murray. Schomburg Center for Research in Black Culture, 1987-09-12.

The Art of Haiti. 1 film reel, 26 min. Written and directed by Mark Mamalakis. Chicago, IL: American Federation of Arts, 1983.

Cáceres, Juan Fernando. Portafolio 2010. Compact disc. Cartagena: Juan Fernando Cáceres, 2010.

Caribbean Gospel Book 2 VP. 2006. © 2006 by VP Records. Compact Disc.

Caribbean music and dance.VHS, 28 min. Museum of Modern Art of Latin America, Washington, D.C. Presented by the Organization of American States.

Cuba: Art and Revolution. 1 film reel, 46 min. Directed by Peter Adam. New York: Time-Life Films, 1971.

¡Danza Colombia!: Trayecto 1, Region Zenu, Montes de Maria y Cartagena. Directed by Diego García-Moreno. Bogotá: Dirección de Artes del Ministerio de Cultura & LAMARACA Producciones, 2009.

Documentales dominicanos. VHS, 60 min. Escritos y dirigidos por René Fortunato. Santo Domingo: Cinematográfica Palau, Inc., 1990.

Eusebia Cosme photograph collection, 1930s-1970s. 403 items (silver gelatin black and white photographs).

Hacer del Cuerpo: 13 Salón Regional de Artistas, Zona Caribe. Compact disc. Cartagena: Salon Regional de Artistas, 2009-2010.

Melville J. and Frances S. Herskovits photograph collection. Photographic prints, negatives and slides. 19??-1963

More Still. 1 sound disc. Music by William Grant Still: Caribbean suite; Spirituals; Art songs. Lomita, CA: Cambria, 1999.

Nash, Joe. Joe Nash black dance photograph collection [graphic]. Photographic prints. 1931-1989.

Owens, Charles H. The Panama Canal, as seen by Charles H. Owens of the Los Angeles Times Art Staff from a special military airplane. Map. Corozal, Canal Zone: Information and Education Division, United States Army Caribbean, 1952.Corozal, C.Z.: Engineer Base Reproduction Plant, USARCARIB, 1952.

Oyendo el Caribe 2: Los Bajeros de la Montaña. La Acabación del Mundo: Música de Gaitas de los Montes de María. Observatorio del Caribe Colombiano. 2006. © 2006 by Fundación de Música. Compact Disc.

Oyendo el Caribe 4: Nobody Business But My Own. Traditional and Popular Music From Old Providence/Música Tradicional y Popular de la Isla de Providencia. Observatorio del Caribe Colombiano. 2007. © 2007 by Fundación de Música. Compact Disc.

Oyendo el Caribe 5: Weirain: La Música y la Palabra Entre los Wayuu. Observatorio del Caribe Colombiano. 2008. © 2008 by Fundación de Música. Compact Disc.

Perez, Lobadys, et al. Eidon Danza Contemporánea: Melancólico: Working Progress. DVD, 25 minutos. Hoja de vida, fotos e interpretación. Cartagena: Eidon Danza Contemporánea, 2008.

The Pirate.VHS, 103 min. Directed by Vincente Minnelli. Metro-Goldwyn- Mayer, Culver City, California, 1948.

Proyecto Envoltura: Obra Coral: Mujeres Artistas del Caribe Colombiano. Compact disc. Colombia: La Redhada, 2009.

Restrepo, José A. Nuevas Consideraciones Sobre la Imagen. DVD, 9 min. Bogotá: José A. Restrepo, 2006.

Restrepo, José A. Viacrucis. DVD, 20 min. Bogotá: José A. Restrepo, 2004.

Restrepo, José A. Iconomia: Iconofilia 2000/2008. DVD, 1 hour, 12 min. Bogotá: José A. Restrepo, 2008.

Restrepo, José A. Iconomia: Iconoclastia 2000/2008. DVD, 34 min. Bogotá: José A. Restrepo, 2008.

Rumie, Ruby y Graham, Justine. Lugar Común 2008-2010: Colombia-Chile-Argentina. DVD.

Salazar, Eliécer. Portafolio. Compact disc.

Sanchez, Guillermo. Portafolio. Compact disc.

Santero. 1 film reel, 26 min. Directed by Amilcar Tirado. Baltimore: Quality Film Labs, 16 mm.

Van Sertima, Ivan. Review of the works of two Caribbean poets, Martin Carter and Derek Walcott. Cassette tape, (no. 1on side 2 of cassette), 20 min. London: Transcription Feature Service, 1967.

_______. A discussion of the works of two Caribbean novelists, Wilson Harris and George LammingCassette tape, (no. 2 on side 2 of cassette), 19 min. London: Transcription Feature Service, 1967.

Voodoo and the Church in Haiti.VHS, 40 min. Directed by Bob Richards. Nine Morning Productions, Berkeley, CA: University of California, Extension Media Center, 1988.